Once you are used to it you will discover that each object of the user interface has been placed carefully. Apple Final Cut Pro X for Mac has also got built-in audio editing toolset that provides you with all the necessary tools to take care of the excessive noise as well as hum problems in your audio tracks. It has also got an advanced as well as dynamic media organizer, a tool which lets you quickly find any clip they are looking for within no time. It uses a combination of keywords and automatic metadata.
Color Grading and Masks Use the Color Correction effect to quickly grade your image, with the ability to simultaneously view up to four separate scopes. Apply Shape, Color, and custom Draw masks to pinpoint effects to specific areas of the frame. And save any effect as a preset to easily reuse later. What do you think about Final Cut Pro X?
Do you recommend it?
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Features of Apple Final Cut Pro X for Macbook
View full description. CONS Interface may have been oversimplified for professional tastes. Softonic review Final Cut Pro has been Apple's flagship video editing program for many years now but Final Cut Pro X sees a completely new version of it rebuilt from the bottom-up for bit Macs. Improved features Advertisement. A broader appeal Final Cut Pro X simplifies Apple's famous video editor while making it a lot more powerful.
The Letterbox effect "Offset" slider has been restored Fixes an issue when creating a single layer DVD Fixes an issue where some third-party effects could cause Final Cut Pro to hang during background rendering Fixes an issue where some third-party transitions would incorrectly use black instead of source media Adds support for editing MXF files that are still ingesting Fixes an issue rendering Motion Templates containing Image Units.
Revolutionary video editing. VLC media player Simply the best multi-format media player. Soundflower Allow different applications to access your soundcard. Paintbrush Basic doodling app for Mac. Adobe Flash Player Essential web browser plugin for multimedia content. Download Final Cut Pro X Download for Mac.
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Best free alternatives. The moniker is a bit misleading, however. Compressor 4 does not gain the ability to encode live video streams. HTTP live streaming is still file-based, but it does make it a lot easier to generate multi-bit-rate H. M3U playlist. HTML5 video the H. Finally, Compressor 4 incorporates Apple's Qmaster rendering engine into the application itself rather than as a separate background application or installation.
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Users can now designate encoding nodes within the application to take advantage of unused CPU cores or machines on your network. You will, however, need to install Compressor 4 on other machines on your network to take advantage of the distributed encoding. It's not coming back. Apple sees iTunes as the future model of media distribution, and if you've been following the development of Final Cut Studio, you'll know that DVD Studio Pro hasn't really changed in more than five years.
Color was always the odd-man out in the Final Cut Studio suite. Originally, it was called FinalTouch and was developed by Silicon Color until the company was acquired by Apple. But it was always obvious that the app was not very Apple-like, nor is the idea of stepping out of your video-editing application to perform a color correction. The new Final Cut Pro X incorporates most of the basic features of Color without ever having to leave the application. Color correction is no longer a special effect, but it's built into every clip you lay on the timeline.
By just tabbing over, you'll be able to create global color corrections within FCPX, as well as additional secondaries. The color board does take a bit of getting used to, and many users will miss Final Cut Pro's iconic three-way color corrector. In return, however, they will get features like masking and even selective keying to make fine adjustments. It's not as powerful as Color. You won't be able to track faces or moving elements on screen.
For that, Apple recommends using Motion 5's built-in trackers and color correction engine. Finally, we get to Soundtrack Pro. Fortunately, Final Cut Pro X upgrades much of the audio-editing tools. For instance, sound can now be edited to precision levels. One reason you needed apps like Soundtrack was because Final Cut Pro audio tools still lived in a world where frames are king.
Editors around the world know the pain and frustration of trying to remove that half-frame long pop or click. Even better is that they support Audio Unit plug-in custom interfaces, so you don't have to worry about using imprecise sliders to make your adjustments. Honestly, though, Soundtrack is not an application we will miss much; others might disagree. Yes, you could clean up audio, mix multiple tracks, and look for sound effects, but in the professional world, Soundtrack Pro simply did not compare with the industry-standard Pro Tools, which leads us into perhaps the biggest gripe of all.
If you don't know what these acronyms mean, you're probably not a person who needs to upgrade to Final Cut Pro X. Also, if you've read the early reviews of Final Cut Pro X, then none of what we're about to say will be a surprise. Final Cut Pro X is a complete overhaul of a very mature application.
Unfortunately, Apple failed to include some features that aren't simply missed, but are very much needed. As great as Final Cut Pro X's new tools are, they simply aren't a match for dedicated applications like DaVinci Resolve for color correcting or Pro Tools for audio editing. Virtually, every post production facility for sound uses Pro Tools. Still, it's a shame that "pro" video-editing software doesn't do this natively. Our last file compatibility gripe: For some editors, this won't be much of a big issue. It's an article of faith that you never upgrade your NLE software in the middle of post-production.
But there will always be a time when you need to crack open an old project file to grab a still or rejigger an edit. The company says that because of the major architecture changes, it would create more problems than it would solve. Conclusions Final Cut Pro X It's clear from the price and the new workflow of FCPX that Apple believes that video will be even more ubiquitous in the near future. It wasn't too long ago that writing for the masses meant landing a coveted job at a major newspaper, but then blogging came around.
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Now, anybody with barely a modicum of an interesting thought can blog, and the writing can be seen by millions. Apple believes the same thing with video. There are three groups of users that the new Final Cut Pro X might appeal to, and to each of them, there are three different conclusions. For professionals, it is hard to recommend Final Cut Pro X Enlightened editors who envision the day that file-based workflows will be the norm still have to deal with the reality that the network still wants an HDCAM SR archive.
The company has already assured us that it will be updating Final Cut Pro X with some much needed features, like XML export and multicam-editing support. Third-party manufacturers like AJA and Black Magic Design will likely be releasing Thunderbolt and PCIe accessories soon that will let editors lay off to tape and professionally monitor on broadcast-quality displays.
Apple has already said that the company will be moving to a more rapid release schedule, but it would not be a surprise to see an update to FCPX in the next few months instead of the next two years. Meanwhile, Apple says your current Final Cut Pro 7 setup still works. It would also not be a surprise if Apple makes Final Cut Studio still available for purchase again in the interim. It's iMovie way too much.
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Clip connection may be amazing when a producer wants to see the scene moved around, but it's too much for amateurs, who just want to edit out the part where they forgot to shut off the video camera. The latest version of iMovie is a fine video-editing program, and it comes with a whole suite of programs like iPhoto that video-making newbies will find immensely more useful. Still, if you're willing to spend the money to sample pro features and haven't used the app for years like professionals , you might find the new way of doing things more palatable.
In other words, for that portion of the post-production world that keeps an open mind and is comfortable with the lack of tape, XML, and Pro Tools support, Final Cut Pro X is worth your consideration. Editors' note: Wilson G. As a video and film professional, he has had almost a decade of experience with Final Cut Pro and other nonlinear video-editing software on a day-to-day basis.
In addition, he has had extensive experience in the field, using everything from film cameras to new digital cinema video cameras that shoot to memory cards. Now you have easier hands-free control of Google's music streaming service. The update also includes picture-in-picture to watch videos while you scroll and block. Where to begin Hard to come up with something that hasn't already been said, so I'll just reiterate. Even with the update, it's still just not a good product.
Still missing a lot of what was great about the last FCS, the worst being that it can't import old files. Seriously Apple, what were you thinking with that. As others have said, this should have been a new FCE. The new features and interface do not overcome what is missing. Used it on another system and refuse to buy it myself. Sticking with FCS3 for as long as I possibly can.
So disappointed in Apple. Worse, CNET keeps asking me to upgrade and trying to download it, no matter how many times I tell it not to. Lion is kinda terrible too, but ML is ok.
Well Recognized Video Editor
Would never upgrade if I didn't need iCloud as MobileMe is ending. If this is indicative of where they're deciding to take things, it does not bode well for Apple's future. Was this review helpful? The rest of you can be the pioneers I'm sitting tight with FCS3 - professional tools for a professional job. Great interactive feel Very fast interactively - I have not timed specific operations Speed of render-type effects and compositing is unbelievable.
You cannot easily use created as opposed to recorded footage as any change requires a re-import and re-edit. Implying footage from a camera copy duplicates the footage. I like Motion 5 for the most part, kind of like the old one with a new ui and faster and slicker - kind of what I think I was expecting from FCP.
Over all, I am using it since I am a one-man-band and the integrated features like color matching are great for me since before this I never bothered to spend the time doing color correction or grading. Everything that was professional about Final Cut studio is no longer in this App. The re-written architecture is sensless and seems to be done by a complete non-professional.
Powerful Media Management section that enables you to find, edit and tag your media files, especially helpful in large projects with different shots. Overall faster and definitely background rendering. The interface overall will require editors with optimised workflows based on previous version to rethink media management and get used to a more iMovie interface. Some third party plugins may not work. Highly recommend to give it a go without replacing your current setup.
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You can run 2 versions in parallel without a problem. You may want to learn FCPX on smaller and easier projects first to learn as you go. There is a learning curve and some features may even be invisible at a first look. It is a disruptive approach that I think will benefit the editor down the track.
It is worthwhile to start with this version and get into learning the details of this version, as I expect that future version will build upon and surely improve other things as we go. Regards, Hisham. This review was originally posted on VersionTracker. Works great on my PowerMac G4! Can't believe Apple is giving me HD through firewire support for free!
I am aware I can opt out at any time. Overview Review User Reviews Specs. Simpler is better though, right? Actually, we're not so sure. Apple knows this.